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home reviews features interviews to the max news newsletter contact select page -- -- -- a shot in the dark by lynne truss -- barry forshaw in the 'i' the notion of ‘cosy’ crime fiction produces derisory chuckles among many hard-core thriller fans who regard the genre as twee and inoffensive, redolent of an earlier era. such books, the naysayers complain, are closer to cluedo’s colonel mustard and miss scarlett than to real life. and a similarly dismissive response is often prompted by the comic crime genre, generally regarded by aficionados as a poor relation of the more serious detective genre (despite the highly diverting efforts of such droll writers as simon brett and l.c. tyler). -- -- -- a treachery of spies: manda scott talks to crime time -- i was slightly less than ten years old when i first read john goldsmith’s book, ‘the accidental agent’. an account of his time as an agent of the special operations executive, posted behind the lines of occupied france, this was one of the most thrilling books of my childhood, partly because it was so very real. -- -- -- broken ground: an hour with val mcdermid -- friday 14th september, 12.30pm at the old library, emmanuel college, cambridge – broken ground: an hour with val mcdermid – crime fiction lovers rejoice: the one and only val macdermid is coming to cambridge – and heffers invites you to spend an hour in her company! armed with broken ground, her latest detective karen pirie novel, val will talk about her writing and give us some insights into her life as a bestselling crime novelist – having sold over 15 million books to date across the globe. -- -- -- midnight movie monographs -- barry forshaw death line by sean hogan /twin peaks: fire walk with me by maura mchugh/theatre of blood by john llewellyn probert/martin by jez winship -- -- -- no exit press’ new digital-only sister company verve books is looking for brilliant new crime, thriller and commercial fiction for their forthcoming list. think you’ve got a book for them? -- -- -- -- liam mcilvanney, peter lovesey: ruth morse on new crime -- his is liam mcilvanney’s third crime novel (in his day job he has written extensively on celtic writing, both irish and scottish), though there’s a gap where the trilogy’s third book ought to be. gerry conway was the main actor of both all the colours of the town (2011) and where the dead men go (2013). the fight is about corruption in public life: reporters, policemen, as conway moves back and forth between celtic nations. the quaker has been a long time coming. it is well worth the wait. -- -- -- skyjack: kj howe talks to crime time -- are you uncomfortable flying? my character thea paris certainly isn’t an avid fan, but the latest facts about airplane safety do offer serious comfort. during my research for skyjack, i immersed myself into the aviation world, speaking to former stealth bomber pilots, commercial pilots, and test pilots so i could bring readers a turbulent thrill ride even though soaring through the air at 500mph six miles above the ground is less likely to result in your demise than any other form of travel—unless you’re thea paris and the pilot has locked the co-pilot out of the cockpit! -- -- -- the ringmaster by toby vintcent: extract -- crime time presents an extract from the ringmaster by toby vintcent (note spelling), published by arcadia. it describes the activities of the ‘ndrangheta, an italian crime syndicate and its attempts to infiltrate f1 racing. the ‘ndrangheta is not as well known as the sicilian mafia outside italy but has become the most powerful organised crime syndicate in the country since the 1990s -- -- -- weather in crime fiction: andrew martin -- the author of the martian girl talks to crime time number 1 of elmore leonard’s ‘10 rules for good writing’ is ‘never open a book with weather’. had the man never read bleak house? or the five orange pips by doyle, with those ‘equinoctial gales’ raging along baker street? here are passages from two opening pages by georges simenon… -- -- -- tumult: a woman in trouble john harris dunning talks to crime time -- i’m fascinated by the puzzle box quality of crime fiction, the almost mathematical precision of plotting it requires. i wanted to give myself that challenge with my graphic novel tumult. the crime genre allows a writer to explore extreme situations and abnormal mental states, really laying bare the human condition; we only really learn who we are under duress -- -- -- ft summer crime 2018 -- barry forshaw in the financial times there is, quite simply, no current thriller writer who enjoys better word-of-mouth and more enthusiastic critical acclaim than herron, whose sardonic series of jackson lamb espionage novels have put him at the top of the tree. the unassuming maggie barnes is an improbable enlistee for mi5 – but she’s a woman who may save the uk from a devastating plot. -- -- -- manda scott, a treachery of spies, into the fire & john lawton, friends and traitors -- ruth morse manda scott is well known for her historical crime novels, though quite where the ‘historical’ line ends and ‘crime’ begins isn’t easy to draw, and thus i found myself reading the previous novel in what is so far a new series. her detective, captain ines picaut, part of law enforcement in orléans (the pj, i think, who are police, not gendarmes), works well with her colleagues, and manages to navigate her way among the usual tough-guy chauvinists around her -- -- -- sherlock holmes and the ardlamont mystery: daniel smith talks to crime time -- i became aware of the ardlamont mystery several years ago from a couple of fleeting references i stumbled across when i was researching a book about sherlock holmes. i little realised that i was about to embark on a long, twisting journey through one of the most intriguing criminal cases in british history. -- -- -- the retreat: mark edwards talks to crime time -- mark edwards on how classic horror novels inspired his latest thriller – detailing your love of horror movies and how you were inspired to add a horror twist to your latest thriller. -- -- -- a legacy of spies by john le carre -- michael carlson peter guillam is living a calm retirement at the family homestead in brittany when he is summoned back to london, and reminded of his ‘lifelong duty to attend’ his former masters at mi6. at the stalinist monolith that now houses the intelligence service, he is asked about an operation windfall, and learns that the children of the agent alec leamas and the english woman, elizabeth gold, are in the process of suing the service, and him, for causing their deaths at the berlin wall. -- -- -- book review: the krull house by georges simenon (trans by howard curtis) -- andy lawrence considered by simenon to be one of his most significant novels, the krull house was written in 1938 and first published in the uk as part of the 1955 collection a sense of guilt. revisiting themes and incidents previously explored in the 1932 maigret novel the... -- -- -- underworld usa and other new crime blu-rays -- barry forshaw the samuel fuller at columbia box set/powerhouse indicator blu-ray this collectable boxed set includes the following striking films by the maverick director samuel fuller: underworld usa, it happened in hollywood, adventure in sahara, shockproof, scandal sheet and the crimson kimono. as these titles hint, this is a box for the dedicated cineaste: i provided one of the blu-ray extras (for the tough gangster thriller underworld usa) and in that piece i try to nail just why this director is held in such high esteem, despite the in-your-face, unsophisticated nature of his work. -- -- -- to the max -- maxim jakubowski on new crime once again we span the mysterious globe, with stops in china, vienna, north korea, the inner worlds of j.g. ballard, the greek islands, the mountains of macedonia, the courtrooms of new york city, an america that will fortunately never be, a world without chocolate which wil

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